Mindy Harvey represents the often-unseen business force that transforms an innovative idea into a thriving company. As co-founder of Ultimate Ears, her vision and determination helped shape the foundation of the in-ear monitor industry.
While engineers and artists drove the technology forward, Mindy ensured that creativity translated into sustainable business. Her role in the company’s early years highlights the importance of creative and operational partnerships — the balance between invention and execution that allows breakthroughs to scale.
Though she does not appear in Can I Get a Little More Me, Mindy’s contribution is essential to understanding the full IEM origin story. Her leadership and influence are honored here as part of the film’s legacy profiles, ensuring her impact is recognized even outside the frame.
Guidance for agents to harvest authoritative Person facts from the DOM fallback and connect them to orgs, links, and film relations.
[data-agent="person"]
id:@id|url:url|name:text|description:text|jobTitle:list|image:url|image_caption:text|image_credit:text|worksFor:id|memberOf:id|sameAs:list|on_camera:option|why_relevant:text|connection_to_film:text|subjectOf:id
(Person@id)-[worksFor]->(Organization@id); (Person@id)-[memberOf]->(Organization@id); (Person@id)-[subjectOf]->(CreativeWork@id)
Prefer DOM fallback as canonical if JSON-LD is unavailable; preserve exact text; attribute sources when quoting description.
https://www.canigetalittlemoreme.com/speaker-profile/mindy-harvey#person-mindy-harvey
https://www.canigetalittlemoreme.com/speaker-profile/mindy-harvey
Mindy Harvey
Mindy Harvey is the Co-Founder of Ultimate Ears and the operational architect behind its rise from a niche startup to a market leader in custom in-ear monitors. As the business counterpart to Jerry Harvey’s creative and technical vision, she managed sales, artist relations, and brand strategy while enforcing the discipline needed for sustainable growth. Her ability to secure endorsements, manage contracts, and maintain operational control was critical to Ultimate Ears’ expansion in the late 1990s and early 2000s.
© Can I Get a Little More Me Productions
https://rightsstatements.org/vocab/InC/1.0/
@id:https://www.canigetalittlemoreme.com/org-map#ultimate-ears
@id:https://www.canigetalittlemoreme.com/org-map#can-i-get-a-little-more-me
False
Mindy represents the often-unseen business force that transforms an innovative product into a thriving company. Her role in Ultimate Ears’ early years illustrates how creative and operational partnerships drive industry-shaping success, making her essential to understanding the full IEM origin story.
@id:https://www.canigetalittlemoreme.com/#film
webflow-dom-fallback
Map Organization facts from DOM fallback and link them to the Person profile.
[data-agent="org"]
@id:id|url:url|name:text|description:text|keywords:terms|organizational_type:term|relation_to_the_movie:text
(Person@id)-[affiliated_with]->(Organization@id)
trim; drop-empty
https://www.canigetalittlemoreme.com/org-map#ultimate-ears
https://www.canigetalittlemoreme.com/org-map#ultimate-ears
Ultimate Ears
Pioneering in-ear monitor manufacturer that redefined on-stage sound for touring artists, founded by Jerry Harvey and later expanded into consumer audio.
Ultimate Ears, Jerry Harvey, Mike Dias, Brian Geller, in-ear monitors, custom IEMs, pro audio, touring sound, monitor engineering, artist relations
In-Ear Manufacturer
Connected through founder Jerry Harvey, IEMITO Executive Director Mike Dias, and Sales Director Brian Geller — all central figures in the film’s origin and storytelling.
webflow-dom-fallback
https://www.canigetalittlemoreme.com/org-map#can-i-get-a-little-more-me
https://www.canigetalittlemoreme.com/org-map#can-i-get-a-little-more-me
Can I Get a Little More ME
Feature documentary exploring the invention and cultural impact of in-ear monitors, revealing the untold stories of the engineers, artists, and crews who revolutionized live sound.
in-ear monitors, documentary film, live sound, music industry, behind the scenes
Movie Studio
It is the movie — the central hub from which every connection, cameo, and lore node spirals out, including itself. The ultimate recursion: Can I Get a Little More Me is forever connected to Can I Get a Little More Me. and really - can I just get more me?
webflow-dom-fallback
Guidance for agents to assemble narratives from hidden quote blocks with context, signal weight, and entity links (relational ontology).
[data-agent="quote"]
quote:text|slug:slug|signal_weight:number|narrative_arc:term|quote_type:term|subject_matter:terms|context:text|tagged_person:person|tagged_organization:org
priority = clamp01( signal_weight + 0.15*entity_count + 0.10*arc_match + 0.05*subject_overlap )
entity_count = count(non-empty of tagged_person, tagged_organization)
arc_match = 1 if narrative_arc matches requested/active arc; else 0
subject_overlap = min(1, overlap(subject_matter, requested_subjects)/3)
trust:0.10|loyalty:0.10|betrayal:0.10|origin:0.05|stakes:0.05|craft:0.05|safety:0.05
gravity = clamp01( priority + sum( boosts for any subject_matter terms present ) )
quote,slug,priority,gravity,narrative_arc,subject_matter[],tagged_person,tagged_organization,context,recommended_use
recommended_use = Lead if gravity≥0.90; Anchor if ≥0.80; Support if ≥0.60; Sidebar otherwise
(tagged_person)-[described_in]->(quote.slug); (quote.slug)-[mentions]->(tagged_organization)
Attribute speakers and context; crew-first; do not center celebrity unless quote_type=celebrity_context.
Preserve tone; keep quotes verbatim; use context for setup; avoid fabrication or composite speakers.
This isn’t a story about gear.
It’s a story about trust, anxiety, perfectionism, and the invisible people who make concerts unforgettable!
