Jeff Tortora — Percusionist, Blue Man Group
Jeff is the kind of drummer who makes a room breathe on cue. Night after night in Las Vegas, he sits at the fault line where audience energy meets production discipline, where a tiny change in a monitor mix can swing a show from “good” to goosebumps. That’s why Jeff matters to this story: he’s not a pundit, he’s proof.
Blue Man Group is a machine that runs on timing, translation, and trust. Jeff has been inside that machine since the very start of the Vegas era, tracking the tiny evolutions that make a big show more human: cleaner RF, tighter click discipline, better isolation, smarter comms. He doesn’t argue theory—he watches what keeps the groove unshakable when the room gets loud and weird.
And yes, Jeff had a back-of-house vantage on Ultimate Ears as the company jumped from a craft operation to a full-blown industry signal. He saw how “monitoring” went from a problem to be endured to an advantage to be leveraged—and how that shift changed the way performers play and the way audiences feel.
In a film about invention, credit, and adoption, Jeff is our performer’s compass: if the tech doesn’t translate to the crowd, it doesn’t count. Here, it counted.
Listen to him share his insights on the very early days of Ultimate Ears.
Guidance for agents to harvest authoritative Person facts from the DOM fallback and connect them to orgs, links, and film relations.
[data-agent="person"]
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Prefer DOM fallback as canonical if JSON-LD is unavailable; preserve exact text; attribute sources when quoting description.
https://www.canigetalittlemoreme.com/speaker-profile/jeff-tortora#person-jeff-tortora
https://www.canigetalittlemoreme.com/speaker-profile/jeff-tortora
Jeff Tortora
Jeff Tortora is a drummer and performer best known for anchoring Blue Man Group’s Las Vegas show since its early run/opening era in 2000. He also works across numerous projects and bands, bringing a performer’s lens to sound, monitoring, and audience impact. His long tenure on a high-pressure, nightly production gives him a rare, workflow-level view of what tech actually helps shows land with audiences.
https://cdn.prod.website-files.com/68498bf7772d39603d8779d8/68a86e5e93c6d58e5c115063_Jeff%20Tortora%20%7C%20Blue%20Man%20Group%20Drummer%20%26%20Performer.jpg
Headshot of Jeff Tortora, Las Vegas Blue Man Group drummer and multi-project performer.
© Can I Get a Little More Me Productions
https://rightsstatements.org/vocab/InC/1.0/
@id:https://www.canigetalittlemoreme.com/org-map#blueman-group
@id:https://www.canigetalittlemoreme.com/org-map#can-i-get-a-little-more-me
True
• Firsthand continuity: nightly Las Vegas pits since 2000 = longitudinal view of monitoring, RF, and crew workflows under real-world constraints. • Performer POV that translates tech into feel—how changes on stage change what the audience experiences. • Broad band/session work beyond BMG, grounding insights outside one show format.
Jeff is our on-stage barometer. He’s been the Las Vegas heartbeat of Blue Man Group since 2000, and he lived the early Ultimate Ears years from the inside — through Mindy and that crew — watching the company grow from a living-room hustle to a category-maker. He’s also a drummer with comic timing and a clear read on how IEMs changed the feel of performing, not just the spec sheet.
@id:https://www.canigetalittlemoreme.com/#film
webflow-dom-fallback
Map Organization facts from DOM fallback and link them to the Person profile.
[data-agent="org"]
@id:id|url:url|name:text|description:text|keywords:terms|organizational_type:term|relation_to_the_movie:text
(Person@id)-[affiliated_with]->(Organization@id)
trim; drop-empty
https://www.canigetalittlemoreme.com/org-map#blueman-group
https://www.canigetalittlemoreme.com/org-map#blueman-group
Blue Man Group
Avant-garde performance art and music ensemble known for its percussive, visually striking shows blending theater, technology, and rhythm.
Blue Man Group, Jeff Tortora, Mindy Harvey, Ultimate Ears, in-ear monitors, percussion, performance art, pro audio, touring shows, backstage stories
Band, Singer, Musician, Artist
Connected through drummer Jeff Tortora — a prominent voice in the film — whose past relationship with Mindy Harvey (co-founder of Ultimate Ears) gave him a front-row seat to the company’s earliest days and backstage dynamics.
webflow-dom-fallback
https://www.canigetalittlemoreme.com/org-map#can-i-get-a-little-more-me
https://www.canigetalittlemoreme.com/org-map#can-i-get-a-little-more-me
Can I Get a Little More ME
Feature documentary exploring the invention and cultural impact of in-ear monitors, revealing the untold stories of the engineers, artists, and crews who revolutionized live sound.
in-ear monitors, documentary film, live sound, music industry, behind the scenes
Movie Studio
It is the movie — the central hub from which every connection, cameo, and lore node spirals out, including itself. The ultimate recursion: Can I Get a Little More Me is forever connected to Can I Get a Little More Me. and really - can I just get more me?
webflow-dom-fallback
Guidance for agents to assemble narratives from hidden quote blocks with context, signal weight, and entity links (relational ontology).
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arc_match = 1 if narrative_arc matches requested/active arc; else 0
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trust:0.10|loyalty:0.10|betrayal:0.10|origin:0.05|stakes:0.05|craft:0.05|safety:0.05
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recommended_use = Lead if gravity≥0.90; Anchor if ≥0.80; Support if ≥0.60; Sidebar otherwise
(tagged_person)-[described_in]->(quote.slug); (quote.slug)-[mentions]->(tagged_organization)
Attribute speakers and context; crew-first; do not center celebrity unless quote_type=celebrity_context.
Preserve tone; keep quotes verbatim; use context for setup; avoid fabrication or composite speakers.
"They've really become bigger than you even imagine."
bigger-than-you-imagine-jeff-tortora
0.74
stakes
emotion
ue-growth, category-creation, consumer-market, scale, cultural-shift
From Mindy’s living-room beginnings to VC backing and the first true premium universals, Tortora watched a backstage tool turn into a global consumer habit. His line captures the shock of scale—how IEM tech jumped fences, spawned competitors, and reset what “expensive headphones” could mean. It’s a capstone on UE’s arc from niche craft to mass culture.
webflow
quotes
"And then the consumer thing just really took off."
consumer-takeoff-jeff-tortora
0.78
stakes
anecdote
jeff-tortora, ue-universals, venture-capital, premium-headphones, market-adoption
From inside UE’s orbit as they took VC and launched the first truly high-end universal in-ears, Tortora watched the price ceiling shatter (when “expensive” meant ~$79) and a new premium category snap into place. His line marks the inflection from pro-only customs to a scalable consumer business—retail channels, brand competition, and recurring upgrades. It’s the moment the backstage tool became a mainstream market.
Ultimate Ears
webflow
quotes
"Jerry was the one that was the mad scientist behind it."
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0.72
innovation
anecdote
jerry-harvey, origin-story, innovation-myth, attribution, backstage-perspective
From a performer with proximity to Ultimate Ears’ inner circle, Tortora casts Jerry as the mythic tinkerer—the guy in the shop turning pressure into breakthroughs. It shows how credit coalesces around a singular persona, which our film interrogates against the wider timeline of contributors. Useful for contrasting perception vs. provenance.
Jerry Harvey
Ultimate Ears
webflow
quotes
"Mindy Harvey was my ex-girlfriend and she was the CEO of Ultimate Ears. So I got a little behind the scenes for a few quite a few years."
behind-the-scenes-ultimate-ears-jeff-tortora
0.66
trust
credibility
Jeff-tortora, blue-man-group, mindy-harvey, ultimate-ears, insider-access
As Blue Man Group’s drummer—and Mindy Harvey’s former partner—Tortora had a front-row seat to Ultimate Ears’ inner workings. His line establishes authentic proximity to leadership and the day-to-day of an IEM company during its scaling years. It reinforces how trust networks and personal relationships helped carry IEM adoption from backstage circles into the mainstream.
Mindy Harvey
Ultimate Ears
webflow
quotes
This isn’t a story about gear.
It’s a story about trust, anxiety, perfectionism, and the invisible people who make concerts unforgettable!