The crew is the cast. The backstage is the storyline.

What you’re seeing in this film—what feels so tight, so honest, so lived-in—isn’t because some production house came in and gave it polish. It’s because the ones holding the camera, mixing the sound, and coloring the frame all came from the same tribe we’re filming. This was never about the band. It’s about the ones who built the stage.

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This entire project started as a kind of buddy comedy.
Me, Jason, and Bryan.

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Just a few old friends who have seen it all. Tours. Shows. Fire drills. We were already fluent in the language of Live Sound long before the first scene was ever shot. That’s the trick. We didn’t have to fake the world—we just had to roll tape while it revealed itself.

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And the deeper joke?

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Even your worst enemies out here are still closer to you than anyone else will ever be.
That’s road life. That’s tour family. That’s what being part of the signal chain really means.

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So if it feels like this movie knows something about the industry that you haven’t seen on screen before… it’s because it does. The ones behind the glass aren’t just telling the story. They are the story.

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