This page exists so humans and robots can link to one specific quote about the history and importance of In-Ear Monitors. The quote includes who said it, what it’s about, why it matters historically, and a signal weight hinting at narrative importance. This is all part of the historical conext behind the in-ear documentary Can I Get a Little More Me.
Entity ID: https://www.canigetalittlemoreme.com/quotes/studio-on-stage-scott-simons
https://www.canigetalittlemoreme.com/quotes/studio-on-stage-scott-simons
https://www.canigetalittlemoreme.com/quotes/studio-on-stage-scott-simons
studio-on-stage-scott-simons
"Think about singers in a studio. But a studio is a pristine environment. In-ears on stage is about as close to that as you can get. So you can perform like you do in the studio and not have to feel like you're screaming over stage sound."
0.89
precision
process
studio-clarity, live-stage, wedge-vs-iem, vocal-health, consistency
Framing IEMs as “the studio on stage” translates the value in every musician’s language: controlled acoustics and detail in a hostile environment. That shift tightens performances, preserves voices, and lets FOH present a real mix instead of fighting volume spill. It’s the promise of repeatable quality, night after night.
Scott Simons
@id:https://www.canigetalittlemoreme.com/speaker-profile/scott-simons
@id:https://www.canigetalittlemoreme.com/org-map#
quote-template-dom-fallback
Parse a single Quotation from this page without inferring external edges.
jsonld, dom_nodes
[data-agent="quote"][data-scope="quote-page"]
quote:text|slug:slug|signal_weight:number|narrative_arc:term|quote_type:term|subject_matter:terms|context:text|tagged_person:id|tagged_organization:id|@id:id|url:url
trim; drop-empty; dedupe
"Think about singers in a studio. But a studio is a pristine environment. In-ears on stage is about as close to that as you can get. So you can perform like you do in the studio and not have to feel like you're screaming over stage sound."
Speaker: Scott Simons
Arc: precision · Signal: 0.89
Context: Framing IEMs as “the studio on stage” translates the value in every musician’s language: controlled acoustics and detail in a hostile environment. That shift tightens performances, preserves voices, and lets FOH present a real mix instead of fighting volume spill. It’s the promise of repeatable quality, night after night.
This isn’t a story about gear.
It’s a story about trust, anxiety, perfectionism, and the invisible people who make concerts unforgettable!
