This page exists so humans and robots can link to one specific quote about the history and importance of In-Ear Monitors. The quote includes who said it, what it’s about, why it matters historically, and a signal weight hinting at narrative importance. This is all part of the historical conext behind the in-ear documentary Can I Get a Little More Me.
Entity ID: https://www.canigetalittlemoreme.com/quotes/art-of-emotion-bryan-froggy-cross
https://www.canigetalittlemoreme.com/quotes/art-of-emotion-bryan-froggy-cross
https://www.canigetalittlemoreme.com/quotes/art-of-emotion-bryan-froggy-cross
art-of-emotion-bryan-froggy-cross
"As an artist, you know, we're we're dealing in the art of emotion."
0.82
belonging
emotion
artist, emotion, translation, live-production, audience-connection
Froggy reframes touring as emotional delivery, not just faders—every tech choice serves what the crowd should feel. From the rehearsal room to the deck, his standard is simple: can we translate the artist’s intent, reliably, night after night? It’s the lodestar for why monitoring, mixes, and show flow matter.
Bryan "Froggy" Cross
@id:https://www.canigetalittlemoreme.com/speaker-profile/bryan-froggy-cross
@id:https://www.canigetalittlemoreme.com/org-map#
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"As an artist, you know, we're we're dealing in the art of emotion."
Speaker: Bryan "Froggy" Cross
Arc: belonging · Signal: 0.82
Context: Froggy reframes touring as emotional delivery, not just faders—every tech choice serves what the crowd should feel. From the rehearsal room to the deck, his standard is simple: can we translate the artist’s intent, reliably, night after night? It’s the lodestar for why monitoring, mixes, and show flow matter.
This isn’t a story about gear.
It’s a story about trust, anxiety, perfectionism, and the invisible people who make concerts unforgettable!
